News, tidbits and updates from Digital Music Marketing. Digital Music Marketing is a leading provider of high quality internet marketing and digital distribution services for the independent recording community.
Friday, April 19, 2024
New Release from Billy Harvey - Trouble in Paradise
Friday, February 9, 2024
Latest release from The Allen Carman Project - "I've Arrived"
"I've Arrived" has arrived. Dive into the new album from The Allen Carman Project, featuring the radio singles "Straight Up", "Soft Life" and the brand-new track, "I've Arrived".
Experience the smooth melodies and soulful vibes of "Soft Life", where @philippesaisse , (Philippe Saisse's) mesmerizing piano artistry takes center stage, accompanied by master percussionist @gumbiortiz1 , (Gumbi Ortiz ). "Straight Up" delivers a fusion of soul and funk, featuring the dynamic sounds of Don Harris on trumpet and the smooth saxophone stylings of Kenny Anderson.
"I've Arrived" is officially available for your listening pleasure! Follow the link below and immerse yourself in the latest musical journey crafted by The Allen Carman Project. 🎶
https://songwhip.com/theallencarmanproject/ive-arrived
Tuesday, January 2, 2024
New Year, New Beginnings
New Year, New Beginnings
2024 is looking bright for DMM and our growing catalogue of talented artists. With a new website underway, and an optimistic vision of the upcoming year, DMM is excited to bring you more music from the best independent artists and labels. Keep your eyes peeled and your ears to the ground for new releases this January from The Allen Carman Project, Stormin' Norman Seldin, and more!
As we bid farewell to 2023 and welcome 2024, we want to take a moment to thank you for being part of the DMM family. As a gift, we've prepared a special gift for you: a New Year's playlist featuring the best songs from 2023 as well as some classics to help get you in the mood for 2024. Whether you're parting with your friends, spending time with your loved ones, or relaxing at home, this playlist will keep you entertained before and after the ball drops!
To listen to our playlist for the New Year, click here! >>> New Year, New Beginnings <<<
We hope you enjoy the playlist, and we wish you a happy, healthy, musical 2024!
Wednesday, December 27, 2023
Seth Rosenbloom: The Future of Blues Guitar
Seth Rosenbloom: The Future of Blues Guitar
Seth Rosenbloom is a rising star in the Blues genre, who has been hailed as “a searing blues-rock guitarist” and “the future of blues guitar” by critics and fans alike. Seth Rosenbloom is a singer, songwriter, and guitarist from Waltham, Massachusetts, who has been playing the blues since he was a kid. He was inspired by legends like B.B. King, Stevie Ray Vaughan, and Eric Clapton, and developed his own style of expressive, soulful, and fiery guitar playing.
He recently released his second full-length album, As The Crow Flies, in January 2023, which features 10 original songs that showcase his growth as a songwriter and musician. The album has been described as “the first great blues album of 2023” by Blues Matters Magazine, and “a masterclass in blues guitar” by Blues Rock Review.
If you want to catch Seth Rosenbloom live, you are in luck. He has announced a series of tour dates for 2024. You can find the full list of his upcoming shows on his official website or on Bandsintown, where you can also follow him and get alerts about his concerts near you. Don’t miss this opportunity to see one of the most exciting and talented blues guitarists of our time. Here are his upcoming shows:
- January 5, 2024: The Burren, Somerville, MA
- January 6, 2024: City Winery New York, New York City, NY
- January 21, 2024: Jimmy’s Jazz & Blues Club, Portsmouth, NH
- January 28, 2024: Malainey’s Grill, Long Beach, CA
- January 29, 2024: Maui Sugar Mill Saloon, Tarzana, CA
Friday, November 10, 2023
Wiser Time is "All Fired Up"
Follow this link and listen now:
https://songwhip.com/wisertime/allfiredupWednesday, July 20, 2016
Out to Lunch Announce Uptown 6 Tour
Out to Lunch - "Uptown 6" Summer Tour 2016
August 20, 2016REDWOOD CURTAIN BREWING CO. – ARCATA, CA View Events →
August 21, 2016AXE AND FIDDLE – COTTAGE GROVE, OR View Events →
August 22, 2016ANALOG CAFE AND THEATER – PORTLAND, OR View Events →
August 23, 2016MASTER CLASS AT THE JAZZ STATION – EUGENE, OR View Events →
August 24, 2016THE JAZZ STATION – EUGENE, OR View Events →
August 25, 2016THE BLACK DOG – SNOQUALMIE, WA View Events →
August 27, 2016ZEBRA COCKTAIL LOUNGE – BOZEMAN, MT View Events →
September 1, 2016LOST LAKE – DENVER, CO View Events →
September 2, 2016DOWNTOWN ARTERY – FORT COLLINS, CO View Events →
September 5, 2016KIRBY’S BEER STORE – WICHITA, KA View Events →
September 6, 2016THE DISASTER ROOM – KANSAS CITY, MO View Events →
September 8, 2016ELBO ROOM – CHICAGO, IL View Events →
September 16, 2016KINGS ROOK CLUB – ERIE, PA View Events →
September 17, 2016PIANOS – NEW YORK, NY View Events →
September 18, 2016RADIO BEAN – BURLINGTON, VT View Events →
Thursday, June 16, 2016
Tinsley Ellis Interviews with Blues Rock Review
When you think of bluesmen Tinsley Ellis immediately comes to mind. He’s as prolific as they come in the genre. Ellis has been performing for over 40 years and is in the midst of touring his brand new album, Red Clay Soul. Blues Rock Review caught up with Ellis to discuss the new album and more.What inspired you to make a soul album?
I listen to a lot of music by folks like Al Green, Sam and Dave, Howard Tate, and other Soul artists. It was my concept on Red Clay Soul to infuse Blues guitar playing over those type of songs. BB, Albert and Freddie King style guitar playing fits all styles of music, especially Soul music. Stevie Ray Vaughan proved that on David Bowie’s “Let’s Dance” album over 30 years ago.
You’ve continued to be very prolific releasing albums. How do you continue to find inspiration?
I have a home studio in my basement, so if I have a song idea while I’m off the road, I can go down there and lay it down. If I have a song idea while I’m traveling, I just sing and play it into the record function on my cell phone. These past few years, I’ve been writing more and more, which is good.
Kevin McKendree is someone you’ve collaborated with a lot in the past and he co-produced Red Clay Soul. What was it like working with him on the album?
Kevin has played on every studio album that I’ve done since 1997’s Fire It Up album, which was produced by the great Tom Dowd. His keyboard playing fits me like a glove. We have recorded the the past four albums in his home studio in Franklin, Tennessee. He also engineers and mixes the albums. On Red Clay Soul we recorded live in the studio for the first time in years. I love the results of recording live. There are very few overdubs on Red Clay Soul. What we played is what you get.
Once again, this album has been released on your own label, Heartfixer. What’s been the most challenging aspect of releasing albums on your own label and what’s been the most rewarding aspect?
Having a record company is extremely time consuming. Just yesterday I made several trip to the post office, did a few interviews and put out business fires all day. It’s cut into my time as a songwriter, which is what I really want to be doing now. But the rewards are that I can make the type of albums I want to make and put them out as often as I want to. I love the artistic freedom that having my own record label affords.
Over your career you’ve accomplished a lot. What are some goals or things you’d still like to accomplish in your career?
I’ve played all over the world but never in Asia. I hope to do that soon. Also it would be nice to have more artists cover my songs. I got a taste of that when Jonny Lang covered “A Quitter Never Wins” on his major label debut in 1997. That song has sold close to 2 million copies at this point.
You’re in the midst of another tour. Do you have a preference in terms of venues that you prefer whether that be theaters, clubs, festivals, etc.?
The best tours are ones that include a variety of types of venues. In the Blues world, we find ourselves at a festival one night, at a Blues or Jazz club the next night, and a theater the next. The good thing is that the Blues works great in all these type venues. We even played a Blues festival once at a “clothing optional resort” (a.k.a. nudist colony). When the sun went down, it got chilly and we sold every t-shirt we brought!
Interview by Pete Francis



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